Examining Intersectional Erasure and the "White Gaze" in the Cinema of Sofia Coppola
A Pipeline Analysis of the New Female Directorial Voice
Deconstructing the “Prestige Festival Gaze” in Independent Cinema
The Female Gaze and the Architecture of Joy in Céline Sciamma’s Girlhood
The Neutral Voice: Diagnosing Martín Rejtman’s Silvia Prieto
